Counter Culture and the Capitol

I think one of the most important issues in the Hunger Games has to be the fact that it’s a very valid analogy for American Culture at the time of writing. Don’t get me wrong, I’m aware that it’s an exaggeration, but I think the fact that the Capitol works as a pretty direct parallel for how a lot of people see America today is a little disturbing. It’s a prevalent and interesting thing to look at the vapid, detached, incredibly consumer-driven climate of the  supposedly evil enemy culture whose entertainment that these kids are fighting for and realizing that, oh wait, you’re the bad guy.

It’s a fun twist! Like what M. Night Shyamalan tries to do.

The classism is much more direct, at least. It’s a lot more difficult to work your way up in Panem than it is in America. Rereading this novel really brings me back to the Occupy movement, which was so prevalent during my first round through it. For what it’s worth, the Capitol isn’t portrayed as all entirely evil one percenters. Just… indifferent. At least in the first book. I don’t know how many of my fellow students have read ahead into the following novels, so I’ll suffice it to say that we do get some positive representation of Capitol folk eventually. But I think that Collins’ idea to make the “enemy” a pastiche of American culture really works. Especially because, as Prof. Thomas is wont to point out, YA novels are about counter culture. So when this book is literally promoting counter culture—going against the obliviousness and indulgence that has become a sort of typical depiction of American culture outside the US.


Comments

  1. Wow! You make some incredible connections! I wish you had written more. Nice insight!

    ReplyDelete

Post a Comment

Popular posts from this blog

Growing Pains - The Symbolism of the Tree in Speak

How Starr Goes from Acting to Embracing in The Hate U Give

Postmodernism in Curious Incident